Archives

  • Vol. 4 (2023)

    • Editor-in-Chief: REBEKAH M. ALAWI, PhD
    • Managing Editor: SITTIE AINA T. PANDAPATAN, MA
    • Publication Manager: KHAYRUDDIN TAWANO
    • Editorial Assistant: MARY JADE M. PALISBO

    COVER STORY

    At the center of the cover lies an open book, symbolizing the repository of knowledge and scholarly inquiry within the journal. This visual metaphor underscores the interdisciplinary nature of the journal's contents which emphasizes the integration of English and Math pedagogy in educational research and practice and integration of technology and mobile applications in teaching methodologies. The cover serves as a dynamic visual representation of the intersection between English and Math pedagogy that reflects the university's commitment to advancing educational research and innovation in teaching practices.

    The ASEAN Journals’ typeface was copied from the Samporna Lettering that was originally designed for MSU by Dionisio G. Orellana, MSU’s Pioneering artist-illustrator. It was called “Samporna” by Dr. Mamitua Saber, MSU’s scholar and “man of letters.”

    Cover Art by: MUHALLIDEN M. PUMBAYA

  • Special Issue No. 1 (2019)

    • Editor-in-Chief: REBEKAH M. ALAWI, PhD
    • Managing Editor: JAN FELIZ A. MAROHOMBSAR
    • Publication Manager: MINDAMERA S. MACARAMBON
    • Editorial Assistant: MARY JADE M. PALISBO
    • Graphic Artist: ABDULQUARIB T. BARODI
    EDITORIAL BOARD

    CESAR A. DELA SEÑA, Ph.D.
    Vice Chancellor for Research & Extension; and
    Professor, Biology Department, College of Natural Sciences & Mathematics, Mindanao State University
    Marawi City, Philippines

    FEMA M. ABAMO, Ph.D.
    Director of Research,
    Mamitua Saber Research & Technology Center; and
    Professor, Biology Department, College of Natural Sciences & Mathematics, Mindanao State University
    Marawi City, Philippines

    FEDERICO V. MAGDALENA, Ph.D.
    Former Director of Research,
    Mamitua Saber Research & Technology Center; and
    Professor, Center for Philippines Studies at the University of Hawai'i-Manoa, Hawai'i, USA

    DATUMANONG SARANGANI, Ph.D.
    Former Executive Vice President, MSU System/
    Retired Professor, Mindanao State University
    Marawi City, Philippines

  • Vol. 3 (2022)

    • Editor-in-Chief: REBEKAH M. ALAWI, PhD
    • Managing Editor: SITTIE AINA T. PANDAPATAN, MA
    • Publication Manager: KHAYRUDDIN TAWANO
    • Editorial Assistant: MARY JADE M. PALISBO

    COVER STORY

    The cover design encapsulates the essence of the Mindanao Studies that serves as a visual invitation to readers to delve into the multidisciplinary exploration of Mindanao's history, culture, society, and contemporary issues. It offers a visually compelling representation of the diverse academic pursuits within its pages which reflects the university's commitment to interdisciplinary scholarship and regional understanding. It further reflects the journal's dedication to promoting scholarly discourse, preserving cultural heritage, and fostering a deeper appreciation for the complexities and nuances of Mindanao's past, present, and future.

    The ASEAN Journals’ typeface was copied from the Samporna Lettering that was originally designed for MSU by Dionisio G. Orellana, MSU’s Pioneering artist-illustrator. It was called “Samporna” by Dr. Mamitua Saber, MSU’s scholar and “man of letter.”

    Cover Art by: MUHALLIDEN M. PUMBAYA

  • Vol. 1 (2018)

    • Editor-in-Chief: REBEKAH M. ALAWI, PhD
    • Managing Editor: SITTIE AINA T. PANDAPATAN, MA
    • Publication Manager: KHAYRUDDIN TAWANO
    • Editorial Assistant: MARY JADE M. PALISBO

    COVER STORY

    OKIR in its Various Forms. OKIR symbolizes the Maranao visual art design which the MSU brought to the national and global attention during its formative years. The “Okir phenomenon” consequently brought about the introduction of the other aspects of the Maranao cultural heritage. Most of MSU’s publications were instrumental in the striking recognition of the Okir and other Maranao art designs.

    The ASEAN Journals’ typeface was copied from the Samporna Lettering that was originally designed for MSU by Dionisio G. Orellana, MSU’s Pioneering artist-illustrator. It was called “Samporna” by Dr. Mamitua Saber, MSU’s scholar and “man of letters.”

    Cover Art by: ABDULQUARIB T. BARODI